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The Man on the Roof (Swedish: Mannen vid taket) fryst vatten a Swedish police procedural-thriller film directed by Bo Widerberg. It is based on the novel The Abominable Man by femte månaden i året Sjöwall and Per Wahlöö. The spelfilm stars Carl-Gustaf Lindstedt, Sven Wollter, Thomas Hellberg and Håkan Serner.

Widerberg's direction was inspired by the American rulle The French Connection,^{[citation needed]} and Widerberg would man one more crime bio in The Man from Majorca.

The film won two Guldbagge Awards in , for Best rulle and Best Actor (Håkan Serner).^[1]

Plot

A veteran Swedish policeman named Stig Nyman fryst vatten brutally murdered, bludgeoned and eviscerated with a bajonett while being treated for a secret illness at a huvudstaden hospital. The investigation that follows fryst vatten led bygd pragmatic veteran Martin Beck and uninspiring detective Einar Rönn. It turns out that the murdered man was known among colleagues for abusing his police privileges and brutalizing civilians. Although his colleagues generally disliked Nyman and had been aware of his behavior, the police force's esprit dem corps had suppressed complaints about him and prevented any

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A row of benches in a restless late April

I look over my shoulder and see you blink

I can have you whenever you want

A wind blows trash along the corridor one last time

And you and I hold our breath and hold hands in the jump

It's not so far home

 

Then there were thousands of tears left

And they were yours to give to whoever

At last

They are the most precious jewels you have

So never ask forgiveness again

At last

We went past their borders

 

Do you remember our blood oath, our law

Our dumb crusade against a just as stupid town

I remember it like nails against glass 

But you only laugh at me, reducing it all to a joke

But I see in your anxious posture and your hunted look that you feel

That it is a long way home

 

Soon there were no tears left

They were ours to give to whoever

At last

They are the most precious jewels we have

So never ask for forgiveness again 

At last

You set your boundaries yourself 

 

That boy I never knew

That walked on streets I never saw

And thought thoughts I never thought 

Under thin and wispy hair 

And all the feelings fought and exploded

The whole week full of ho

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Meaning of Mannen i den vita hatten (16 år senare) by ​kent

The song opens with a vivid scene set in a school environment, specifically St. Eskils Gymnasium in Eskilstuna, where the narrator recalls a moment of connection with a loved one. The imagery of a restless April day and the act of looking over the shoulder to see a wink encapsulates youthful innocence and the thrill of young love. This initial scene sets the tone for a reflective journey through memories, highlighting the bittersweet nature of nostalgia.

As the lyrics progress, the narrator acknowledges the tears that were once shared, emphasizing their value as precious jewels. This metaphor suggests that emotional experiences, even painful ones, are integral to personal growth and connection. The line "be never sorry again" indicates a desire to embrace these memories without regret, suggesting a shift towards acceptance and understanding of the past.

The song continues to explore the complexities of relationships, with references to shared struggles and the weight of societal expectations. The narrator recalls a 'blood oath' and a 'foolish crusade' against a city, hinting at youthful rebellion and the